MAke your Next Project Stand Out
WitH Professional Color Grading.
Services
Remote Grading
Remote color grading lets us collaborate from anywhere without sacrificing quality. You send footage via your preferred file-sharing platform, and we build a workflow around your timeline. We can hop on video calls for real-time feedback as grades are adjusted. You get the same level of attention and expertise as an in-person session, no matter where you are.
In-Person session(s)
In-person color grading in Austin gives you a hands-on, collaborative studio experience. You sit next to me while we grade on calibrated monitors and a Mac Studio in DaVinci Resolve. This face-to-face setup makes fast creative decisions and problem-solving easy. It’s ideal when you want tight control and detailed attention on commercials, music videos, or narrative work.
Custom Lut Creation
Custom show LUT creation gives you a one‑off look built for your specific project and camera, not a generic pack. It becomes your base grade across scenes or episodes, locking in a consistent visual identity. You get a polished LUT tuned to your contrast, color, and mood, plus a quick guide on how to use it.
1 on 1 Live Coaching
1-on-1 coaching is for people who are serious about leveling up their color work. It can be a single intensive session or an ongoing mentorship. Before starting, there’s a quick vetting process to make sure goals are clear and the fit makes sense. You come in with specific areas to improve, get tailored homework, and are expected to put in the reps so each session stays focused and high-value.
Grading Studio Morning/Day
Grading Studio Morning/Day Blinds Down
Grading Studio Evening (Working Hours)
Client Monitor: 55" Sony A95L; Reference Monitor: Pro Art PA32UCDM (Q-OLED); Gui Monitor: Apple Studio Display; Panel: Resolve Mini Panel
Reference Monitor: PA32UCDM (Q-OLED)
Client Seating Area
Seating Option #1
Seating Option #2
Additional Client Entertainment
Grading Studio (Shades Closed)
BEFORE & AFTER
Technique: Day to Night
Camera: Dji Mini 2
Color Profile: H.264 REC 709
Swipe fast
Turnaround Time
Project turnaround times typically range from 3 to 7 days, depending on the scale and complexity of your footage . Smaller projects like music videos or social media content often fall on the shorter end of this timeline, while larger commercial campaigns or narrative work with extensive shot lists may require additional time to ensure every detail is dialed in . Rush services are available for projects with tight deadlines, and we’ll discuss your specific timeline needs during the initial consultation to ensure delivery aligns with your production schedule . Clear communication throughout the process means you’ll always know where your project stands and when to expect your final graded footage
FAQs
What file formats do you accept?
Most professional video formats are supported, including ProRes, DNxHD, RAW files, and H.264 . For best results, delivering footage in the highest quality format available ensures maximum flexibility during the grading process.
How much does color grading cost?
Pricing varies based on project length, complexity, and turnaround requirements . Contact me for a personalized quote tailored to your specific project, and I can provide a base rates menu with day rates upon request
Do you offer same-day or rush services?
Rush services are available for projects with tight deadlines . Turnaround time and availability depend on current workload, so reach out as early as possible to discuss your timeline.
Can you match a specific look or reference?
Yes, matching specific looks from reference images, films, or other projects is part of the grading process . Providing visual references helps communicate your creative vision and ensures we’re aligned on the final aesthetic you’re aiming for.
Do I need to be present for the grading session?
For in-person sessions, your presence is encouraged for real-time collaboration, but it’s not required . Remote clients receive video call options for feedback sessions, or you can provide notes and approve grades asynchronously based on your schedule
How do I prepare my footage for color grading?
Export your footage in ProRes, DNxHD, or other high-quality intermediate codecs to maintain maximum quality from edit to grade to final delivery . If possible, provide an XML file from your editing software along with your media, which allows me to work with your exact timeline structure and apply grades directly to your edit . Include any specific notes about certain scenes, desired looks, or problem areas that need attention to streamline the grading process
Let’s work together.
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